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Doors

Doors

Just Sound Effects
$65.00
+ applicable tax (VAT) depends on country/region

Just Sound Effects

Doors

Every Door, From Two Sides

Slams, squeaking hinges, a key in a lock and a knock on the other side of it.

2Perspectives per sound
2Mic formats
15Kinds of door named
And moreBeyond the list
+And more

Apartments●Hotels●Garages●Elevators●Cars●Corridors●Gates●Bars●Bells●Knocks●& more

Two perspectives on every soundMono and ORTF stereoClose and distant

Doors tell more stories than you expect, and every sound here was captured twice to let you pick which story.

Each door sound was recorded from two perspectives and at different intensities, which is the difference between a door that exists in a room and a door that happens to the listener.

At a Glance

  • Two perspectives close and distant, on every recording
  • Two formats mono and ORTF stereo, both
  • Different intensities from a gentle handling to a full slam
  • Human interactions locking with a key, knocking on various surfaces
  • Fifteen kinds named and the field says there are more beyond them
  • A go-to collection built to cover everyday doors in post production rather than one specific door

Content & Detail

01What Was Recordedthe list the field gives▾
BuildingsApartments, hotels, garages, corridors, bars
Vehicles and transitElevators, cars, trains
OutsideGates
The doors themselvesAntique, thin and heavy
Around the doorBells, knocks, creaks — and more, as the field puts it
02How It Was Recordedtwice, every time▾
PerspectivesClose and distant
FormatsMono and ORTF stereo
IntensitiesDifferent ones per door, from slams to gentle handlings
The aimAny kind of everyday door sound, in enough performances to be flexible in post

A slam and a close are the same door. What separates them is intensity and distance, and both were varied deliberately here rather than left to a plug-in afterwards.