Origins Vol.9: Ronroco & Bouzouki
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Origins Vol.9: Ronroco & Bouzouki

Origins Vol.9: Ronroco & Bouzouki

Sonuscore
$69.00
+ applicable tax (VAT) depends on country/region

Origins Vol. 9

Ronroco & Bouzouki

The Aegean Meets the Andes

The metallic sound of the bouzouki against the pastoral nature of the ronroco.

80Rhythm presets
12Color settings
2Playable instruments
1000+Combinations
+And more

RonrocoBouzoukiMulti-Arpeggio-DesignerNormal PresetsOdd Presets5/87/83/4Colors MenuImpulse Responses& more

Two individually playable instruments80 rhythm presets12 unique colors

Two similar but different instruments, whose origins reach around the globe.

Bouzouki from the Aegean and ronroco from Latin America reach across the seas to come together, and the metallic sound of the one against the pastoral nature of the other ignites a beautiful, disparate timbre.


At a Glance

  • Two instruments each individually playable, or paired
  • 80 rhythm presets for the Multi-Arpeggio-Designer
  • Normal and Odd 4/4 arpeggios on one side, 5/8, 7/8, 3/4 and more on the other
  • 12 color presets radically different in character, each with its own effects and impulse responses
  • Over 1000 combinations any color can be combined with any preset
  • Designs travel copy an arpeggio design and paste it into any other Origins instrument

Content & Detail

01The Two Instrumentsand where they come from
RonrocoAn Andean instrument larger than a charango, double stringed — the higher pairs double in unison and the lower ones in octaves, which is what makes the sound otherworldly
BouzoukiThe long-necked, metal-stringed lute developed in Greece in the early 1910s, modified locally to handle steel strings and so given its trademark twang
TogetherPunctuate the attacks with the bouzouki over a softer bed of ronroco strums, or play one as a pattern and the other as a melodic solo
02The Presetsand one disagreement
Rhythm presets80, as the key features state
The body textSays “80+ inspiring presets” — the same disagreement this series carries on Origins Vol. 7
Normal4/4 arpeggios
OddTime signatures as diverse as 5/8, 7/8, 3/4 and more
How they were designedWith a certain realism in mind, reflecting how the instruments would actually be played
03The Colors Menutwelve of them
What a color isA preset that carries its own effect settings and multiple impulse responses
How different they areRadically — each one changes the character rather than the level
The assignmentEvery arpeggio preset has a color assigned, and you can override it at will
What that yieldsOver 1000 predefined combinations
04The Multi-Arpeggio-Designerthe centrepiece
What it doesTwo fully customisable arpeggiators create interlocking patterns and broad soundscapes from the two timbres
The intentA musically meaningful, human performance rather than a computer aligning notes at random
Your own designsBuild an arpeggio in as much detail as you like, from scratch or from a preset
PortableCopy and paste a design on the fly into any other instrument of the Origins series

Two arpeggiators interlocking is not the same as one arpeggiator playing twice as fast. The pattern that comes out belongs to neither instrument on its own, which is the entire point of pairing an Aegean lute with an Andean one.

Product Information

Supported Host Application
FULL VERSION of Native Instruments’ KONTAKT Version 6.7.1 or higher
Features
Two individually playable instruments
Innovative Multi-Arpeggio-Designer (MAD)
80 rhythm presets
12 unique color settings
Full customization of all controls